TRAINING | MATT BRANDT

TRAINING / SUPPORT

SCREEN PRINT SEPARATIONS

The technique of transforming digital artwork for screen printing can be a challenge. Even the simplest of vector images can be tricky when creating the correct under base. I

have been separating my own artwork for years using many different methods to generate color separations. In this training I cover methods and tricks to get the best results and output from your programs as well as your output device. This training is geared to those that handle the separations and print film positives. It can also be useful to anyone looking to gain knowledge. With a combination of knowledge, actions, and dedicated programs, you will be ready to take on the most complex separations like a pro!

Covering topics including but not limited to :

Simulated Process
Index separations
4 Color Process on lights and darks
Graphic program selection
Tricking the RGB mode
Proper under base creation and manipulation
Helpful Photoshop actions
Output settings, film output and halftone settings, file storage, DCS files, manual separations vs automated.
Artificial Intelligence Artwork scaling and separations

ANATOL VOLT

The VOLT by Anatol is the only professional-grade electric automatic screen printing machine in the world. It gives you the speed, power and reliability of a screen printing press without the issues of a compressor or chiller. The VOLT uses reliable servo-driven indexers and servo lift to ensure years of reliable service. I have been operating these presses and registering multi colored prints for the past 8 years. This experience has allowed me to create methods and procedures I can teach that allow anyone to be able to not only operate but do so in an efficient manner. This training encompasses all things needed to operate the machines properly for professional printing.

Covering topics including but not limited to

Proper off contact settings
Squeegee pressures & angles
Proper White Ink Printing and preparation
Printing on Fleece
Job registration, ARME,
Cycle Mode
Stepback Setup
Rapid Wave Setup (sensor and non),
Proper settings for wet on wet printing, artwork and machine
Benefits of lift up delay (where applicable)
Curing on press with Mobil Forge
Setting up cooling stations to minimize heat issues
Best print settings for waterbase
Adding additional non quartz flashes for a cheap way to finish a job in one spin

GOCCOPRO DIGITAL SCREEN MAKER

Eliminate steps like coating, film output, exposure and drying. No need for darkrooms and washout booths or to store large number of screens. With this technology and proper training you can eliminate wasted prep time and begin printing highly detailed images that can be hard to produce with conventional exposure methods. These machines are a great addition to those looking to speed up both pre press and post press. With the ability to reimage screens quickly without the delay of drying time, this tool will allow you to process a greater workload more efficiently. This is truly computer to screen.

Covering topics including but not limited to :

How many prints per screen and proper setup for different substrates
Proper screen setup and tensioning
DPI/ LPI settings
Workflow setup for multicolor prints
ANATOL Volt settings
Screen Hardener
Wet on wet printing
Off contact
Extending screen life for long print runs
Powerful water base/discharge tips for manual or automatic prints
Other ink types and options
Screen opener,
Image setup for consistent registration
Managing heat and proper flash cure technique.
Adobe Illustrator and Photoshop settings

MATSUI WATERBASE

Soft hand prints are loved by all. I personally have enjoyed the light feel of discharge prints for many years and try to incorporate this printing for my clients wherever I can. I know when blended with the proper fabrics, these prints can stand out and set yourself apart as a printer. Easy to use, and a great return of investment, Matsui inks bring another set of skills to any print shop. Discharge printing for pigment replacement or under basing is one of the easiest ways to step up the diversity of what you can offer either on a manual or automatic press.

Covering topics including but not limited to:

Emulsion choice
Proper exposure
Artwork setup for discharge underbasing
Ink mixing and storage,
Ventilation and proper dryer settings
Tips to speed up the bleaching process
Pantone color matching for both water base and discharge
How to properly identify PMS color when discharging.
Formula tweaking
Blended fabrics and troublesome shirt colors.
Best Press practices to allow consistent runs and minimal screen issues

PRE PRESS SETUP

Screen printing - starts with the screen. The quality of your stencils, your EOM, your film output, your exposure time, your emulsion choices all will play a massive role in your ink laydown and the final quality of your product. There are many factors that come into play into making the right "gasket" for ink to flow through and a 1% increase in this area will be a force multiplier on press when printing by hand or machine. I can refine your prepress techniques to have a greater end result and better turnout from your stencils.

Covering topics including but not limited to:

Emulsion choices and differences
Proper exposure
Mesh selection
Coating techniques
Reclaiming options
Best setup practices for zero to little pin holes
Drying time
Exposure Calculation
When is emulsion really dry?
Managing humidity
No yellow lights needed